Saturday, 24 March 2018

Ten years of Treasure Quest

The Weekend supplements of the Eastern Daily Press and Norwich’s Evening News have kindly published another feature piece of mine today, and it’s on a subject very close to my heart – the Sunday morning Treasure Quest programme which I have been producing on BBC Radio Norfolk for (nearly) ten years now, which seems scarcely believable.

Treasure Quest and my career at the BBC very much go hand-in-hand. I was still ten days away from becoming a full-time employee of the organisation when the show’s pilot was broadcast on Good Friday in 2008. I knew I was going to be joining full-time, and had done since early in the month when I’d been offered the job, but at that point I was still in the dying days of working for the county council for a living, while going in to the BBC when I could at weekends and to cover other shifts, and as an action desk volunteer.

I didn’t work on the Treasure Quest pilot, but I was there on that day. I don’t remember exactly when I first heard of us doing the idea, but I do remember how I heard of it. I have a very clear memory of checking the Radio Norfolk rotas – it must have been sometime earlier that month – and seeing the name of the programme, and that it was Becky and David doing it, on there for Good Friday. It’s some demonstration of the strength of it I suppose that I remember even just seeing the name there knowing pretty much what the format would be, and I did think it sounded interesting.

On that first Good Friday show, I was working on two of the programmes later in the day, a Bank Holiday special with local concert promoter Chris Bailey and the drive time programme with Jack Dearlove. At the time I arrived, sometime between 1 and 2pm, Treasure Quest ought to have finished and they were due to be running a national documentary about ‘quiet gardens’, but they’d overrun and decided to drop the pre-recorded programme. One of the things you can do when you’re both presenter and editor, as David was, I suppose!

The BBC Radio Norfolk Good Friday schedule in 2008, from that week's internal station email newslettter
My main memory is of getting there and registering just how bowled over Amy Barratt and Sophie Price, who were running the show in the ops room, seemed to be by the number of calls they were getting. It felt a little like a bomb had hit the place. There used to be a very kind local baker who would bring huge polythene bags of hot cross buns to the station on Good Friday, and I remember one of those sitting ignored on one of the chairs in the ops room, still full of buns, discarded in the frantic activity of the show. I remember being both jealous that I hadn’t been involved in what had clearly been such a success, and also rather glad that I’d been spared having to deal with that avalanche of phone calls!

The first Treasure Quest I worked on was the second one-off we did, on the early May Bank Holiday. I didn’t set it up – that was done by Nanette Aldous – but I did studio produce it on the day. That episode is now one of only two which is lost to history. I’m the only person on the show’s regular team whose first episode doesn’t exist, which is a bit of a shame but there we go!

I don’t know when I found out, and my diary from the time does not record, exactly when I discovered that Treasure Quest would be running as a regular show on Sunday mornings in place of The Norfolk Years. I do remember being disappointed about it, however. I’d been working on The Norfolk Years since November, and after only a few weeks David had handed over to me the job of doing all the research for it – finding quirky stories in old editions of the Evening News and sorting out the chart music for the weeks in history we were looking at.

The Norfolk Years was the first show I ever really felt I was properly ‘producing’, not just answering the phones, making the tea and seeing any guests up and down to and from the studio. I remember feeling annoyed that I’d be losing all of that. How little I knew of what was coming!

It was never really intended, I think, that I would end up fully producing Treasure Quest. As I was working on the slot anyway I’d be the studio producer, but our assistant editor Martyn Weston – the man who’d bought the show to the station – had very much given the impression we’d do the set-up together, and he’d assured me that “I don’t expect you to write the clues.” He had a chap called Mike Boswell in mind to do that, but that never happened.

Pretty much from the get-go, I ended up doing it all – setting up the shows, writing the clues and producing the whole thing. We started the regular run at the end of May for what was meant to be a 12-week run over the summer and then The Norfolk Years would return in the autumn. But ten years on and 500-plus episodes later, we’re still going.

An excerpt from the internal email newsletter from the week Treasure Quest became a regular part of the BBC Radio Norfolk schedule, at the end of May 2008
I love Treasure Quest, for many reasons. It’s been very good for me and my career – made me into a proper producer, and all those years working closely with the station’s editor got me the opportunity to do so many things. I’d never have started making documentaries if it hadn’t been for TQ – indeed, my first ever documentary was about the show, so there’s a nice sense of completeness that I’ve now made another for the 10th anniversary. I’ve written a book, overseen various other tie-ins in aid of Children in Need, produced stage shows; so many things all because of this programme.

It’s also a show that has, in its own tiny way, allowed me to experience and be a part of so many of those things that have always fascinated me about broadcasting history. It’s a show that people actually notice and pay attention to, you never feel you’re broadcasting to nobody for no reason, there’s always a reaction. We’ve had spin-offs and merchandise and articles and reviews written about us… Little bits and pieces, few and far between, but a taste of being a ‘proper’ programme. It’s been a hugely important pillar of both my professional and personal lives, and I have been very fortunate indeed to have been involved in it.

But what have I personally brought to it? How is it in any way different to how it might be if somebody else were producing it?

In many ways, it isn’t. The format is so strong that I think it’s pretty much ‘producer proof’, if the producer has any nous to them at all. I didn’t invent the show. I didn’t bring it to BBC Radio Norfolk. I didn’t put myself forward to work on it, I simply inherited the job because I was the person already working on the slot. With one notable exception I’ve never really had any say over the ‘casting’ of the regulars. So what have I done?

If I’ve had any influence at all on the show, I like to think it’s in giving it a sense of itself and its history. In the 10th anniversary documentary going out on Good Friday, many of those involved talk about the sense of family there is about the programme, both listeners and those who work on it, and I like to think I have contributed to that. Making the phone answerers part of the whole thing rather than anonymous and behind-the-scenes. Making a fuss of people when they leave. Making sure we mark anniversaries and special events.

Some of the Treasure Quest merchandise from down the years!
I read a piece of guidance once which said that you shouldn’t refer to the people on the other side of the glass when working on a radio show, as nobody at home is interested. I thought that was wrong then and I still do. I can only go by my own instincts, of course, but I know I always used to love the feeling that the people working on a programme were all one big family. Getting little insights into them and their lives and how they interact.

As a good Doctor Who fan I have been brought up on production history and anniversaries and episode counts. So of course if I had a sniff of actually being involved in something myself where I could chart that history, I was going to grab it. But it’s something more comparable shows like Blue Peter and even something like Pointless have done down the years, too –  giving a sense of their own history, celebrating it when appropriate without being hung-up on it. You can dip into these things casually or enjoy them as one-off episodes, but they also offer that warmth of knowing and demonstrating that they’re not simply isolated chunks, they are part of something bigger and they don’t ignore that past.

Whether that’s made any difference to Treasure Quest I can’t say. But I like to think it all helps to make it a warmer and even a bigger-feeling show. Who knows, though – I have no doubt that if I weren’t here, if I had never come to Norfolk and never ended up working for the BBC, someone else would be doing the job and may well be doing it better.

I don’t know when Treasure Quest will one day come to an end, or when I will stop working on it. It’s useless for me to make predictions as I was expecting its demise years ago! It’s one of the reasons why I’ve made the documentaries and the book and so forth… So there are reminders, little traces of its existence, what we did and the impact that we had.

I remember once reading a piece by Russell T Davies, the man who brought Doctor Who back, where he wrote about he and the first producer of the revived version, Phil Collinson, knowing how much they were enjoying working on the show and despairing of how they might one day have to go back to making ‘normal’ dramas about ‘two people talking in a kitchen.’ It’s something I think about, sometimes – one day this will all be over and there will only be ‘normal’ radio left to produce, or of course no such good fortune to have such an interesting job at all. So I do my best enjoy it while it’s here, and try to make the most of it, which I think on the whole I have done.

It can have its frustrations. I can try to be too much of a perfectionist with it at times, and I can get incredibly stressed and annoyed if a moment I have worked hard on doesn’t go as planned. In many ways, it’s a ludicrously ill-matched format to my temperament – I like to try and work and work at things to get them right, like the documentaries, and this is all the chaos and unpredictability of live broadcasting instead. I like to go away and work on things on my own, whereas this is all about the team.

But yes, this has been a positive thing. I wouldn’t go so far as to say that Treasure Quest has made me a better person, but it’s certainly made me a better producer. So thank you, to anyone who may be reading this who has worked on the show down the years, or contributed to it, or simply listened to it. I know I will always look back on these Sunday mornings incredibly fondly, and I hope there are a fair few of them to go yet.

The Treasure Quest team at the end of our annual Children in Need stage show at the Norwich Playhouse last year

Monday, 28 August 2017

August publications

But whether or not they're august ones isn't for me to say, of course...

It's been a while, I know, but this month has seen a little flurry of activity on the writing front. Last month I received an e-mail from Marcus Hearn at Doctor Who Magazine asking if I would write a piece for another of their special editions. This one, titled "Referencing the Doctor", was to tell the story of some of the many reference works that have been published down the years about the production history of what is surely one of, if not the, most chronicled television series in history.

I was very pleased and flattered that Marcus wanted me to write a piece about one of DWM's own series, the Archives by Andrew Pixley, which ran from 1991 until 2003. Andrew is one of the most well-liked and highly-respected researchers and writers working in the field of British television history, and it was a great honour and a privilege to be asked to write a piece about his work. He's also personally been very helpful to me on various projects down the years. The magazine came out earlier this month, and will still be on the shelves of WH Smith's and all good newsagents - I think I did a good job! Andrew was pleased, anyway, which was very gratifying.

Then today saw the culmination of a project I've been working on for some time. In January, I was pondering what I might do next for another documentary project at work when it occurred to me that this year would mark BBC Local Radio's 50th anniversary. It's not a Radio Norfolk anniversary, as we didn't come along until 1980, so I was trying to think what I could come up with tied-in with that when I remembered that one of the unbroadcast local radio pilots had taken place in Norwich in the early 1960s.

Originally, I thought it would be mostly about the pilot, with a little bit of background on the existing East Anglian VHF service from Norwich which had started in the 1950s. In the end, it turned out to be pretty much the other way around, and indeed functions as something of a "part one" to the "part two" of Radio in a Roundabout Way, the documentary I made back in 2012 telling the story of the 1970s VHF opts from Norwich.

The finished documentary, The Network That Never Was, was transmitted today, and even if I do say so myself I think I did a pretty good job on it. It's nice to have been able to tell the full story of the East Anglian radio services now, up to the point where Radio Norfolk started. Nearly two hours, across two programmes, on the history of BBC radio from Norwich, and it only goes up to the point when Radio Norfolk began! It feels a bit like that gag George Harrison made after seeing an early cut of The Beatles Anthology  - "it's two hours long and Pete Best hasn't joined the band yet..."

The Network That Never Was was terrific fun and hugely interesting to put together, involving all sorts of interviews and another trip to the wonderful BBC Written Archives Centre. I'm extremely pleased with how it turned out, and this is relevant to writing because on Saturday the Eastern Daily Press once again kindly printed a feature article I'd written to preview the programme, in their weekend supplement.

Then yesterday my colleagues at BBC News Online put up a piece I'd written, kindly licked into shape by Phil Shepka from their team. This is the fourth time I've had a sole or shared byline on News Online, all tied-in with programmes or features I've made for the radio, and the first time I've really felt I actually deserved it. That's not meant as a criticism - News Online have a definite set style their pieces have to fit into, so it's understandable they often need to change copy I provde them with, but it's nice to know I must be getting better at it, as Phil didn't have to change too much this time around!

I should also mention that the radio history expert Andy Walmsley very kindly wrote his own excellent piece on the background to The Network That Never Was, as a preview to the documentary.

So, a fairly productive month. I've also had half an idea sparked off for a piece of fiction... Five years ago, a local author read my blog on Radio in a Roundabout Way and suggested I write a story set in that radio world, as I had done the research and was clearly inspired by it. I didn't think it was a particularly good idea, but this time... I don't know, I have half an idea of a narrative set around the East Anglian VHF service's coverage of Norwich City's 1959 FA Cup run... But it's just an idea. The time to do it would be now, while the research is fresh in my mind, but does it work...?

Maybe I'll have a play with it and see. The 60th anniversary of that run is coming up in 2019, when everyone and their brother will be doing things connected to it...

I'll let you know! As for when I do that... No idea!

Thursday, 29 December 2016

Reaction Stations

This year got off to a good start for me in January, when during an e-mail conversation with the editor of the Doctor Who Magazine special editions, Marcus Hearn, he casually mentioned that perhaps I could write something for one of the specials at some point.

This resulted in me doing quite a few bits and pieces for Marcus for various of the special editions across the year, and now in December there's another one out.

The end-of-year "yearbook" specials usually focus on the making of the series. But as there wasn't a full series of Doctor Who this year, this year's edition covers all manner of spin-off media and fan activities.

I am particularly pleased with the article I've contributed, about reaction videos - videos people post online of themselves reacting to watching episodes of Doctor Who. It sounds an odd idea if you've never watched one before, but they can be very interesting, and many of them are quite charming. I'd watched quite a few on and off since around the time of the 50th anniversary in 2013, and was pleased to be able to speak to several of those whose videos I've enjoyed for the piece. I was very fortunate that so many of these bright young things from across the world were happy to talk to a random stranger who messaged them online about wanting to write an article about what they do!

I'm pleased with the article both because I think it's a good piece, and also because it's very much about the newer part of fandom. I am a crusty old Doctor Who fan and not one of the modern tumblr generation, but I was pleased I was able to write - hopefully well, or at least informatively - about one of the newer aspects of appreciating the show.

Oh, and I was also pleased with it because I came up with the title, and I think it's always a good sign when the editor likes a title you've suggested so much that they keep it!

The Doctor Who Magazine 2017 Yearbook should be available at your local WH Smith's and all other good newsagents for the next couple of months or so.

Sunday, 27 November 2016

Under review

The big exclusive for the New Statesman magazine this week was their interview revealing the supposed "return" of Tony Blair - whatever the hell that may or may not end up meaning.

But it turns out that buried deep inside was a piece rather more surprising - and flattering - to me.

On Friday afternoon, on a whim I did one of the searches I do on Twitter from time-to-time for "Radio Norfolk", just to see what people are saying about us and our programmes. It rarely produces anything much of interest, but this time I came across a link to the online version of a piece in this week's edition of New Statesmen - "A Luchtime in the Life of Radio Norfolk".

On the contents page, the sub editor makes it sound a lot worse than it is!
New Statesman is a magazine that I'd certainly heard of, and know has a good and serious reputation, but had never actually had cause to ever pick up a copy of myself, nor seen anybody else ever reading. Nonetheless, their imposing nature made it seem unlikely they'd reviewed one of our programmes. However, not only had they, but it turned out that rather bizarrely their radio reviewer Antonia Quirke had written a piece all about my own little weekly programme - Treasure Quest: Extra Time. Specifically, the edition from last Sunday, the 20th of November.

It seems an odd choice to review, being a spin-off from a much better-known and more listened-to programme. It's also rather embarrassing for the station, as you'd hope if a major national magazine were going to cast its eye over one of our shows, it'd be one of the really good ones. Certainly if I could have chosen, I'd rather she'd have done one of our "big" editions of Treasure Quest itself, or one of my documentaries.

I had to initially look at the things through the cracks in my fingers, but actually I did all right. Her description of me as "usually equable" suggests she's a regular listener, so I think she went fairly easy on me. The review seems to be laughing with rather than at the programme, anyway, and refreshingly despite being a review of a Radio Norfolk show, there is not a single mention of Alan Partridge! (And I wasn't once described as "moribund...")

Overall it's a flattering piece, and certainly enjoyed her description of me / the show as "...part-smiling, part-peevish." Slightly odd to see myself referred to as "Hayes", like some sort of Billy Bunter-ish schoolboy, but they say that all publicity is good publicity, and it could have been a lot worse!

Actually, this isn't the first time my radio work has been reviewed in a national publication, nor is it the unlikeliest one in which such a review has appeared. The journalist Louis Barfe used to live in our broadcast area, and writes a radio review column for The Lady magazine. In 2012 he reviewed both an edition of Treasure Quest (mentioning that the clues "...would have been rejected as too cryptic by the producers of 3-2-1") and my documentary Radio in a Roundabout Way (kindly calling it "a fascinating programme made with care, as I'd expect from BBC Radio Norfolk"). He's also, I discover when looking back for these pieces, been kind enough to mention Treasure Quest a few times since even though he's moved away!

Closer to home, the Eastern Daily Press's radio reviewer Stuart Lake did a nice piece about Treasure Quest in 2009, calling it "a wonderful example of a local radio programme." He also did a preview of the 5 Live version of my Ayrton Senna documemtary in 2014, a programme which was also previewed, and made a "today's choice", by the Radio Times's radio editor Jane Anderson, which I found particularly thrilling having been a reader of the magazine for as long as I can remember. You feel like a proper producer when something you've made has had a write-up in the Radio Times!

Jane Anderson's Radio Times write-up of the 5 Live version of my Senna documentary, from 2014
In terms of my writing, I've had a few nice comments on the Alice Flack stories on Amazon, and back around the turn of the century I there was a glowing review by Julie Rogers for a short story I'd written in one of the Doctor Who Appreciation Society's "Cosmic Masque" collections. However, as said review appeared in the society's own publication Celestial Toyroom, it probably wasn't the most independent piece in the world!

Julie Rogers' review from Celestial Toyroom of a short story of mine in Cosmic Masque 26
Overall, I've had very kind verdicts on things I've made down the years, this week's included. So I can't complain at all - I've been very fortunate! I just hope I continue to be as lucky as and when I eventually get a novel out there... But I'd be happy if it gets noticed by anybody at all, in any respect, if and when that happens!

Oh, and I did go out and buy a copy of New Statesman for the first time after learning I had been reviewed in it, of course! Thanks Antonia... I did play Forever Autumn in the end, though!

Saturday, 19 November 2016

Programme Pieces

A couple of new bits of my writing have made it out into the world this month.

Last weekend we held our eighth annual Treasure Quest Live stage shows in aid of the BBC Children in Need Appeal, wherein the cast and crew of the Sunday morning show I produce on BBC Radio Norfolk take part in various games and features on stage at the Norwich Playhouse, all in aid of the charity. I produced the two performances, which raised over £4500. Of this total, £785 came from donations for a printed souvenir progamme I put together.

It wasn't the most spectacular souvenir in the world, but it did turn out much better than it could have done given that as well as writing the bulk of it, I also did the design myself and put it together in Microsoft Publisher. I'm no designer, so it didn't look amazing, but it was functional enough! Our boss, Peter, came up with the clever idea of not putting a set price on it, just letting people make whatever donation they wanted to the charity in return for a copy, and it worked really well, raising much more than I had ever hoped or expected.

Also out this month is the latest Doctor Who Magazine "bookazine" special, Invasions of Earth.

Just one piece from me in this particular one, the episode guide entry for The Christmas Invasion, a story I love a great deal so it was a pleasure to be asked to do the piece on it. Next month, DWM's end-of-year "yearbook" special is out, and fingers crossed I should have a lengthier feature piece in that, with which I am rather pleased... More on that as and when it appears!

Monday, 29 August 2016

Space Station Norfolk

A year or two ago, I was looking through the Sunday morning papers at work, ready to go on and do the paper review on Sunday Breakfast with Anthony Isaacs, when I noticed an article in one of the broadsheets which piqued my interest.

It was about the government’s plans to build a space base in the UK for commercial space flights, and part of the article mentioned that in the 1960s consideration had been given for building a rocket base in Norfolk. I was vaguely aware that Britain had once launched its own satellite into space, from Australia, but I had no idea that they’d considered launching from Britain, much less from in the county where I live and work.

I did a quick search online, and found an article written by ex-BBC East TV man Dean Arnett to tie-in with a television feature he made back in 2006, telling the story. I immediately thought this could be a good subject for a radio documentary, especially given that in radio we’d have more time and space (excuse the pun…) to explore the story than had perhaps been available to Dean. I discussed it with Anthony, who as assistant editor is also one of my bosses at the station, and he seemed keen, but it lay fallow for a while as I worked on other things.

Earlier this year I ended up talking about the idea with Anthony again, and he was still enthusiastic, giving me the go-ahead to start working on it properly. I began work in June – speaking to the writer Nicholas Hill, who Dean interviewed back in 2006, but also recording interviews at the Science Museum in London, and on the Isle of Wight where most of the British space programme of the 1960s was based. I also of course went to Brancaster, where the Norfolk rocket base might well have been built had history taken a different path.

As a little aside, there was an interesting moment when I was travelling to do some of the recordings on Friday the 24th of June – the day after the EU referendum. I was heading down to London early as I was recording my interview with Douglas Millard from the Science Museum at 9am, then making the journey down to the Isle of Wight to speak to the chief designer of Britain’s Black Arrow rockets, Ray Wheeler, that afternoon, then staying in Newport overnight before recording at the rocket’s engine testing base at High Down on the island the next morning.

The previous day the trains from Norwich to London had been seriously disrupted by flooding caused by heaving rain, so rather than risk missing my interview at the Science Museum I decided to cancel my plans to take the train and head down to London by coach instead, which meant I found myself in the salubrious environment of a MegaBus from Norwich Bus Station just before 5am.

For most of the way down I was listening to Today on Radio 4. At a quarter past eight, David Cameron stepped out of Downing Street to make his speech in reaction to the outcome of the referendum – telling the country that, as a result, he would be resigning as Prime Minister. As I listened to him speak, I could hear crowds cheering or jeering at the end of Downing Street, and as I looked out of the window of the coach I noticed a cheering and jeering crowd at the end of a street the coach was now crawling past.

My knowledge of London geography is minimal, but I was suddenly aware that we were in fact going past Downing Street just as Cameron was making his speech – so I can say, in a manner of speaking, that I was there at this particular moment of history. The coach was creeping forward so slowly in the traffic that I was even able to take a picture to mark the occasion.

If I were a better writer than I am, I'd like to pen a "state of the nation" novel telling the story of the man with the carrier bag; who he was, where he was going, and what he was up to...

Anyway, the recordings were all duly done, and I finished putting the programme together last week. I called the documentary Space Station Norfolk – not the best of titles perhaps, but I thought it riffed nicely on Ice Station Zebra! – and it will be broadcast this evening at six o’clock, available of course for 30 days afterwards via the BBC iPlayer, here.

It’s also results in another bit of writing for me. Twice before, for my Sherlock Holmes and Ayrton Senna documentaries for the station, I’d written tie-in features for the Weekend supplement of Norfolk’s main local paper, the Eastern Daily Press, to help promote them. A few weeks ago I decided to drop the editor of Weekend, Trevor Heaton, a line to see if he would be interested in having a piece about Space Station Norfolk as well, and he kindly agreed to take it.

I was pretty sure I’d done a decent job on a good story with the article, but I didn’t know until I saw the paper on Saturday that Trevor had once again made it the Weekend cover feature. This was particularly pleasing not simply because it got the piece more attention and saw it promoted on the front paper of the paper proper, but also because it meant I completed a hat-trick of EDP Weekend cover features, with the Holmes and Senna pieces also having made the cover. (Fortunately, only one of them required me to dress up in costume!)

My hat-trick of EDP Weekend magazine cover features from recent years!
The piece also appeared in Saturday's Evening News, the EDP's sister paper for Norwich, and there is a version you can read online on the EDP's website, here.

So there we are. I hope people like the documentary if they get the chance to hear it this evening. If you’re interested, there’s a preview clip available here, and a photo gallery you can browse here.

Sunday, 21 August 2016

Back to Flack

About a year or so since I started working on it, and much later than it ought to have been, a second Alice Flack story, Voices in the Dark, is now finally online on Amazon’s Kindle Store!

It’s only 35,000 words, and I started writing it last summer not very long after I put the first one up for people to buy, and it reached my self-imposed target of twenty sales before making another one available. But despite having completed a good chunk of it last year, I found myself getting distracted by various things towards the end of last year. I wrote a non-fiction Doctor Who book which probably won’t ever see the light of day; I had last year’s Treasure Quest Live! to put together; I made a radio documentary about writing, and then into this year I suddenly found myself getting paid actual money to write pieces for various Doctor Who Magazine special editions, and doing more documentary work.

Anyway, a few weeks ago I actually finally sat down and got to the end of Voices in the Dark, the second adventure for my late-1940s-set investigator Alice Flack. I showed it to a few friends to help pick up general feedback and typos, and finally got it up online yesterday.

Once again, it has a lovely artwork cover by David Lavelle – the cover’s been ready for months, so poor David has had to wait for the world to see the fruits of his labours!

It also again managed to make it into the charts, climbing into the lower reaches of the Kindle Store’s Top 100 for “historical thrillers”. Admittedly this was only on the basis of a tiny handful of sales, but hey, I’m not complaining! Its release has also seen a tiny little spike in sales (i.e. three!) for the first one, The Ruined Heart, which is a good sign if I continue to put more out.

Will there be more Alice? I’d like there to be, I have ideas for several more, and have even started writing the next one. But as for whether it reaches the light of day… well, let’s see if Voices in the Dark can pass the 30-odd sales mark the first one has so far made! I promise if it does appear, however, it won’t take another year this time!

If you do want to buy the new one – and my ego would be wonderfully massaged if you did! – it’s available from Amazon by clicking here. Thank you!